Shell Chair by Marco Sousa Santos
Shell Chair impersonates the imagination of the designer Marco Sousa Santos, giving a form of apparent imitation of a shell, but adapted to a shape of a piece of furniture with some particular features. It is outstanding as its name suggests
Johan Ku
WWD Japan ranked his 2012 Spring/Summer collection “The two faces” as one of the top seven collections in the Mercedes-Benz Tokyo fashion week, his work appeared in many renowned magazines
18 Kowloon East by Aedas
Aedeas is a design-led architecture practice with the aim of blending international design quality together with the attention for local needs, a strategy that is possible thanks to their 31 offices around the world.
The National Art Museum of China by UnStudio
The architectural design concept for The National Art Museum of China reminds the artifact of ancient Chinese “stone drums”. Historically, the Stone Drum bears inscriptions that represent precious piece of the fragmentary puzzle of the Chinese script
2LMX by Arnaud Tellier
Buying additional sheets and pockets for your Filofax, much? Running around like a lunatic with your BB in one hand and a big, fat coffee in the other? Yeah well, these times sure are hectic… welcome to the 21st century of chasing paper and shallow dreams.
Winde Rienstra
Winde Rienstra is a 30 year old Deutsch designer. Her talent got recognized many times in the fashion industry: she won a prize for a mini collection she designed in Australia, she was one of the finalists of the Green Fashion Competition in January 2011 and she received a project grant from Talented Makers this year.
Klassiker chair by Minwoo Lee
South Korean designer, Minwoo Lee, designs the Klassiker chair in an effort to combine welcoming soft lines and comfort in one piece of furniture.
Viktoria Stutz
Viktoria Stutz is a young photographer based in Dortmund, Germany, who is currently studying at the University Of Applied Sciences And Arts. She specializes in beauty and fashion photography and is already displaying great talent.















































