A break with tradition will always be somewhat intimidating. But between the cracks of the established attitudes and beliefs and the contemporary calling for innovation and novel practices, a relentless, far-reaching vision is starting to blossom into a bouquet of tangible realities.

After a shadowy three year hiatus, Alessandra Facchinetti, leading lady of this radical mise en place, proposes a change in the way we witness and experience fashion. Formally parting with her roots in the “constrained” realm of high fashion and couture (from her Valentino and Gucci days), Ms. Facchinetti celebrates her new-found freedom with Pietro Negra, co-founder and president of the Italian brand Pinko, with the conception of Uniqueness.

Uniqueness, as the name instantly insinuates, is all about a ready-to-wear collection encompassing individuality and liberty whilst leaving behind the doctrines that have formed the business of fashion as we know it. However, one must refrain from considering Uniqueness solely as a fresh fashion brand with big names behind the curtains, and should instead indulge into the modern lifestyle of unprocessed glamour it proposes in its “manifesto”.

The first motif, which is far from contentious, is non seasonality: clothes that defy even nature’s calling for tidily organized collections based on climatic conditions and heritage, and that define moments of unadulterated visual euphoria. Since the concept of seasons has been extinguished, so should any worn-out liaisons to trends be snuffed out as well. Style is in the eyes and hands of the customer, in view of the fact that every outfit is Made in Italy and represents an outburst of originality and creativeness that has been let loose by Ms. Facchinetti. The third component to the manifesto is the 21^st century ever-constant concern for time. In this sense, Uniqueness is dissolving the issue of time constraints within the fashion system and substituting it with the notion of immediacy: once looks have been created, they are instantaneously publicized online. The fourth and final point is technology, more specifically: the internet. Whether its use lies in being a repertoire of inspiration, or as a re-visited online business model, the internet is, unmistakably, the key feature within blueprints of Uniqueness.

This intertwining of fashion and technological innovation seems to be a déjà-vu due to the expansion and development of e-commerce in the recent years. However, Uniqueness intends to  amalgamate these phenomena in order to mirror a contemporary lifestyle fit for our times. Singular and constantly renewed outfits can be purchased directly online, with the certainty of a timely delivery of these artistically fabricated garments right to your doorstep. It promises to always bring novelties whenever inspiration strikes, and charm you with tunes and images that captivated Ms. Facchinetti’s own thoughts on the Moodboard. Moreover, Uniqueness unwraps itself to one and all: anyone can join in the “cast” and leave an enlightening thought, video or image to contribute to a network of beautified ideas and stimulating thoughts.

The seeds that Ms. Facchinetti has sown to build this garden called Uniqueness is passionately flowering in its springtime. With time and awareness, it can become an online sanctuary where earthly mortals can find themselves eternal through … uniqueness.

Having studied in fashion capitals such as Paris, New York and London, Tze Goh, a recent Central St Martins graduate, brings his very own twist to minimalism. Since 2010, his collections have explored pale colours, straight shapes as well as soft wool and cashmere. Goh’s traditional interpretation of Fashion simultaneously fits his creativity and innovation-driven mind, which is expressed through his choice of material.  By using technical 3D Jersey and Foam, the collection manages to “give a new silhouette to women”, in Tze Goh’s own words.

With his signature pleating and folding technique, the chosen foam miraculously redesigns curves and moulds new shapes around women’s bodies.  His very interesting work has enabled him to feature on Harper’s Bazaar UK, Italian Grazia, Style.com and many other renowned magazines. The Singapore-raised but London-based designer revolves around menswear in his latest collection; from oversized jumpers to long office shirts and cardigans, Tze Goh goes for a sophisticated masculine look. Sobriety, purity and serenity are all synonyms of his work, although all successfully combined with a high degree of sensuality. Ever since he entered the fashion scene on the 2010 LFW, he is unmistakably a designer to keep an eye on, as recently confirmed by BoF.

Recently graduated from the London College of Fashion, Dinu Bodiciu has already earned the likes of Lady Gaga and the Victoria Albert Museum in London, where his collection was recently showcased. This Romanian-born but London-based designer reinterprets fabrics and the human body in a surreal manner. Throughout his collection, which recalls one’s reflection, every piece only concentrates on the front as the back is “forgotten”, just like in a mirror. Through his various creations, the accessories are the most interesting and challenging items, noticeably his very uber-extravagant headpieces. As he would say “ I perceive garment as an extension of the body and I am interested in its organic nature”.

Although the headpieces remain very “Lady Gaga-like” one can easily qualify Dinu Bodiciu of a millinery genius. However, not only does Dinu’s talent stand in his imagination, craftsmanship and deeper analysis of fashion, his choice and use of fabric also remains outstanding. In using cotton/rayon fabric from Japan, he manages to capture the flatness quality and perception of a reflection. Thinking it through one could say calling him extravagant would be a euphemism. Whilst already capturing the media attention of an array of renowned fashion magazines such as Vogue Japan, Elle Romania and Dazed & Confused, Dinu Bodiciu awaits to surprise us with his upcoming “Madame de…” S/S 2012 Collection. For now, the only information made available by the designer is that “Madame de… is one of the most intriguing character I have ever met”.

Celine De Schepper is the one of the brand-new designers who is definitely the exception in the crowd: her gasping models are everything but typical.

Getting a degree of fashion design at La Cambre, Ecole Supérieure des Arts Visuels in Brussels, she started her work experience working for Viktor & Rolf. No wonder when looking at her design we can see the impact. Playing with colors and shapes, making strong contrasts and very unusual accessories, she shows us the game of fashion that fits into the new era.

Enormous fruit and flower hats rich of many ornaments, and half wooden shoes are the collection’s hearts. They are there just to complete the story of the astronomical skirts, irregularly shaped blazers and wooden waist belts.

It is amazing to see how she plays with materials and combines everything that is contrasted, everything that together forms an exceptional story of fashion not seen before.

Living in the world today that always moves very quickly towards innovations, Celine de Schepper might be the part of those just by keeping her pace approaching whatever she started to- and looking at her success by now, we believe she is on a good way!

Versace is a synonym for luxurious exaggeration. H&M is something completely opposite. Put them in one, and there is our collection.

 “The collection for H&M is the essence for Versace”, commented Donatella Versace. Dominated by strong colors, ancient Greek motives and robust cuts, the collection takes us into an entirely new zone of fashion. Iconic dresses are the focus of the women’s line, while menswear is centered on sharp tailoring.

For women we can see above-the-knee tight dresses accentuated with the brand’s solid colors. A very remarkable one is a classic black silk crepe dress with the gold Grecian buttons on its patent strap that is a must-have this season.

A multi-colored sequim dresses that are covered with archival Versace prints are usually more adaptable for the night occasions but that is also the advantage of this collection- wear it as you wish to look like, and it will look like that.

It is very sophisticated and joyful collection, abundant of strong pieces that stand out. Every piece speaks for itself and it gives its own statement.

As Donatella said, and we can confirm it, is that we all can’t wait to see how H&M’s wide audience will make these pieces on their own.

Whenever we think of the words shoes and footwear we connect them to Carrie Bradshaw and her Manolo Blahnik models, Christian Louboutin black classic pumps, and many others. However, something new and innovative has come to light.

Victoria Spruce is the footwear designer, inspired by architecture, sculpture and structure. Those features are strictly visible in her models, embracing the new era of shoe design slowly entering into new must-haves.

Recently graduated with an MA Womenswear Footwear from Royal College of Art 2011, she has started her career as a designer for a high street style, but seeing her ability to create something very remarkable and outstanding, she decided to inaugurate her own line.

What is very unique about the SS12 collection is that shows the dose of experimental spirit, yet still very commercially viable and sexy. It was originally inspired with organic, flowing sculptures, representing a conception that hard materials and new technologies can be combined with leather, still making that contrast quite visible but working together as one.

Inconsistency of hard and soft, matte and shine, and modern and traditional makes it consistent to all that we have expected- something very new and extraordinary!

Gaetano Perrone is an exquisite shoe brand manufacturing truly luxurious items. All of its products exhibit refined, sinuous shapes, rich, exotic textures and provide a great level of comfort. They are aimed towards an independent, strong, seductive woman, who is not afraid of standing out.

Gaetano Perrone has dedicated the last 10 years of his career to studying, designing and producing shoes and leather goods. His journey began under the inspiring patronage of Antonio Berardi, who introduced Gaetano to a boundless world of imagination and passion. Designing hand made shoes required not only creativity, but also hard work and courage to experiment. Working for labels such as Christian Dior, Kenzo, Iceberg, Sergio Rossi or Gianvito Rossi, the designer greatly expanded his horizons and enhanced his vision, while also, polished his skills and know-how in the field. Working for Alexander McQueen for 3 years, was the designer’s career highlight; the opportunity was certainly a challenge, taking into account the extravagances of the clothes designer.

Throughout years of asiduous work, Gaetano Perrone managed to build a unique signature style for his items. The key to his mesmerizing creations is to be found in the flamboyant textures he fabricates and the subtle, sublime details. For this collection, the distinctive notes lay in the hand made saddle stitches and delicate Japanese threads embroideries, which aim to recreate the texture of reptile scales. Fabrics such as luscious pony fur or iridescent surfaces allure a sumptuous appearance, while electric peacock feathers add an exotic, sensual note. Last but not least, the breath-taking precious gems and tiny enameled beetles adorning the shoes give a final touch of opulence.

The magnetism of the collection is greatly enhanced by the use of an intriguing palette of nuances, such as charcoal, navy blue, emerald green or turquoise; they were all inspired by the colors of different insects with hypnotizing appearance, such as scarabs or dragonflies. Bright peacock feathers complement deep, dark colors, while plain, black ones enrich layers of iridescent fabric. Embroidered golden elements confer a majestic note. ‘Glamorous’ is the word that could describe best both the color range and the eclectic mix of materials.

A feast for the eyes, Gaetano Perrone’s collection can be regarded as a sheer demonstration of beauty. The designer managed to create truly remarkable pieces that will fascinate even the most skeptical viewer.

Nicola Formichetti unveiled his first women’s collection in Paris as the newly appointed Creative Director for Mugler. Together with Mugler Music Director, Lady Gaga (the government hooker herself), the duo created an out-of-this-world fashion show that was meant to be experienced with all senses.

This collection is a sexy and sinister concoction. It glamorizes the alien-like metamorphosis of the bones and blood of the human anatomy. Thierry Mugler’s signature high and peaking pagoda-like shoulders made a return as well as his killer meldings of plastic, rubber, neoprene, latex, PVC, and sheer nylons. The silhouettes were that of an actual human body for the clothes laid snug and tight as if it were natural layer of extra skin. A few “post human androids” strutted bare-chested in mesh while others wore bone and membrane-like panels exaggerating Formechetti’s creative distortions of their human limbs. The colors remained simple with black, white, and an occasional blue, and green directing more emphasis towards the different textures and materials.

What came through as most enthralling was the pop icon’s final walk. She was adorned with an all-white monotone ensemble that included a corset, body suit, skirt, hat, and sky-high platforms. With her latest single, “Born This Way,” blasting in the background, the android goddess stormed through the gothic arches with extreme power and force showcasing what Formichetti aimed to underline: the empowerment of women and the spirit of being free.

Stripping this fashion “experience” of its music, theatricality, lighting, and infamous Gaga Effect, Formechetti’s collection failed to take us back or anywhere near Thierry Mugler’s original, dream-like world created in the early 1970’s. This strange yet ethereal collection did, however, succeed in creating a strong and solid start for a new generation of Mugler.